"A
cup of tea!" Is there a phrase in our
language more eloquently significant of physical and mental
refreshment, more expressive of remission of toil and restful
relaxation, or so rich in associations with the comforts and serenity
of home life, and also with unpretentious, informal, social interaction?
Whenever rank in the scale of importance of any material thing is to be
determined by its extensive and continued influence for good, to tea
must be conceded a very elevated position among those products which
have contributed to man's happiness and well-being.
The Orgin of Tea - Indian Legend
- Darma,
third son of Koyuwo,
King of India, a religions high priest from Siaka (the author of that
Eastern
paganism about a thousand years before the Christian era), coming to
China,
to teach the way of happiness, lived a most austere life, passing his
days
in continual mortification, and retiring by night to solitudes, in
which
he fed only upon the leaves of trees and other vegetable
productions.
The Cup of Humanity - Tea began
as a medicine and grew into a
beverage. In China, in the
eighth century, it entered the realm of poetry as one of the polite
amusements. The fifteenth century saw Japan ennoble it into a religion
of aestheticism—Teaism. Teaism is a cult founded on the adoration
of the beautiful among the sordid facts of everyday existence. It
inculcates purity and harmony, the mystery of mutual charity, the
romanticism of the social order. It is essentially a worship of the
Imperfect, as it is a tender attempt to accomplish something possible
in
this impossible thing we know as life.
Tea Leaves - Hot "teas" were in
habitual use as beverages among civilized nations
long before they ever heard of Chinese tea, of coffee, or of cocoa. The
English people, for instance, freely indulged in infusions of Sage
leaves, of leaves of the Wild Marjoram, the Sloe, or blackthorn, the
currant, the Speedwell, and of Sassafras bark. In America, Sassafras
leaves and bark were used for teas by the early colonists, as were the
leaves of Gaultheria (Wintergreen), the Ledums (Labrador tea), Monarda
(Horsemint, Bee-balm, or Oswego tea), Ceanothus (New Jersey tea or
red-root), etc.
Tea History 1 - How early in the
history of the Chinese that people discovered and
developed the inestimable qualities of the tea plant is not known. That
Chinese scholar, S. Wells Williams, in his Middle Kingdom places the
date about 350 A.D.
Tea History 2 - A president of
an English Court of Sessions also complained that tea
was driving out beer, and indirectly injuring the farmer, in whose
cottage, he omitted to say, the tea canister had begun to occupy a
place of honor, despite the lessened demand for his malt.
Tea History 3 -
To preserve the historical record of tea so far as possible, we will
state that while the indigenous Indian tea plant had been recognized
somewhere about the year 1820, the first serious and sustained attempts
to grow tea in India were made by Englishmen, about 1834, using Chinese
tea plants and Chinese workmen for the purpose.
Little Cups of Chinese & Japanese Tea
- Many
exotic legend exist,
but at any rate it is easy to believe that the Chinese were first in
the
tea infusion. It is certain that Chinese, first in many things, were
not
only more progressive than other peoples, but linked with their
progress
were important researches, and invaluable discoveries, which the
civilized
world has long ago recognized. Then, why not add custom of making of
tea
to the list?
Tea Masters - Great as has been
the influence of the tea-masters in the field of art,
it is as nothing compared to that which they have exerted on the
conduct
of life. Not only in the usages of polite society, but also in the
arrangement of all our domestic details, do we feel the presence of the
tea-masters. Many of our delicate dishes, as well as our way of serving
food, are their inventions. They have taught us to dress only in
garments of sober colors. They have instructed us in the proper spirit
in which to approach flowers. They have given emphasis to our natural
love of simplicity, and shown us the beauty of humility. In fact,
through their teachings tea has entered the life of the people.
Characteristics Of The Tea Plant
- In some Chinese plants, and in those of India, tea blossoms are very
fragrant, and they have been used for scenting tea leaves in India, if
not in China, as other flowers are used by the Chinese. In India a
perfume has been distilled from tea blossoms; and a valuable oil is
expressed from the very oily seeds. The long tap root of the tea plant
renders it difficult to transplant.
Tea Picking & Yield -
Chinese tea grown among the mountains and hillsides was distinguished
as "Hill tea," while both large and diminutive plantations on the
lowlands or the plains were all called "tea gardens," a term which is
now applied by the English to the extensive plantations of Ceylon and
India.
Traditional Tea Manufacture - To
procure the extreme type of traditional Black teas, a Souchong or
Congou, the fermentation or oxidation, and the "cooking" process, is
simply carried further, and with higher roasting, some of the volatile
oils and delicate flavors are expelled, or are changed into other
flavors. Judging by diminished effects upon tea drinkers, some of the
volatile theine is also lost.
The
Book of Tea - Tea began
as a medicine and grew into a
beverage. In China, in the
eighth century, it entered the realm of poetry as one of the polite
amusements...
Green Tea
- Throughout China and Japan, green tea is considered a staple
beverage.
Many epidemiologic studies have linked frequent tea intake with a lower
incidence of cancer, cardiovascular disease, and neurodegenerative
disorders. Consumer interest in the tea’s health benefits has led to
the inclusion of green tea extracts in multivitamins and other dietary
supplements. But too much of a good thing could...
The Schools of Tea - Tea is a
work of art and needs a master hand
to bring out its
noblest qualities. We have good and bad tea, as we have good and bad
paintings—generally the latter. There is no single recipe for making
the perfect tea, as there are no rules for producing a Titian or a
Sesson. Each preparation of the leaves has its individuality, its
special affinity with water and heat, its own method of telling a
story.
The truly beautiful must always be in it. How much do we not suffer
through the constant failure of society to recognise this simple and
fundamental law of art and life; Lichilai, a Sung poet, has sadly
remarked that there were three most deplorable things in the world: the
spoiling of fine youths through false education, the degradation of
fine
art through vulgar admiration, and the utter waste of fine tea through
incompetent manipulation.
Taoism and Zennism - The
connection of Zennism with tea is proverbial. We have already
remarked that the tea-ceremony was a development of the Zen ritual. The
name of Laotse, the founder of Taoism, is also intimately associated
with the history of tea. It is written in the Chinese school manual
concerning the origin of habits and customs that the ceremony of
offering tea to a guest began with Kwanyin, a well-known disciple of
Laotse, who first at the gate of the Han Pass presented to the "Old
Philosopher" a cup of the golden elixir. We shall not stop to discuss
the authenticity of such tales, which are valuable, however, as
confirming the early use of the beverage by the Taoists. Our interest
in Taoism and Zennism here lies mainly in those ideas regarding life
and
art which are so embodied in what we call Teaism.
Chemistry and Physiological Aspects of Tea
- Without pretending to more than the rudiments of chemical or
physiological science, we shall attempt to examine the nature of tea,
and its effects upon the human system; taking as a basis for our
remarks chemistry of tea.
The Tea Room - The simplicity of
the tea-room and its freedom from vulgarity make it
truly a sanctuary from the vexations of the outer world. There and
there alone one can consecrate himself to undisturbed adoration of the
beautiful. In the sixteenth century the tea-room afforded a welcome
respite from labour to the fierce warriors and statesmen engaged in the
unification and reconstruction of Japan. In the seventeenth century,
after the strict formalism of the Tokugawa rule had been developed, it
offered the only opportunity possible for the free communion of
artistic
spirits. Before a great work of art there was no distinction between
daimyo, samurai, and commoner. Nowadays industrialism is making true
refinement more and more difficult all the world over. Do we not need
the tea-room more than ever?
Art Appreciation - Nothing is
more hallowing than the union of kindred spirits in art. At
the moment of meeting, the art lover transcends himself. At once he is
and is not. He catches a glimpse of Infinity, but words cannot voice
his
delight, for the eye has no tongue. Freed from the fetters of matter,
his spirit moves in the rhythm of things. It is thus that art becomes
akin to religion and ennobles mankind. It is this which makes a
masterpiece something sacred. In the old days the veneration in
which the Japanese held the work of the great artist was intense. The
tea-masters guarded their treasures with religious secrecy, and it was
often necessary to open a whole series of boxes, one within another,
before reaching the shrine itself—the silken wrapping within whose soft
folds lay the holy of holies. Rarely was the object exposed to view,
and
then only to the initiated.
Effects Of Tea Drinking - Tea
affects different people very differently. We find among the
ordinary effects of tea-drinking...
Flowers -
Our personal sympathies are with the flower-arrangements of the
tea-master rather than with those of the flower-master. The former
is art in its proper setting and appeals to us on account of its true
intimacy with life. We should like to call this school the Natural
in contradistinction to the Naturalesque and Formalistic schools. The
tea-master deems his duty ended with the selection of the flowers, and
leaves them to tell their own story. Entering a tea-room in late
winter,
you may see a slender spray of wild cherries in combination with a
budding camellia; it is an echo of departing winter coupled with
the prophecy of spring. Again, if you go into a noon-tea on some
irritatingly hot summer day, you may discover in the darkened coolness
of the tokonoma a single lily in a hanging vase; dripping with dew, it
seems to smile at the foolishness of life.
Garway's
Famous Tea Circular - Garway's Famous Circular was so often
quoted and mutilated that we print it here in full; it has no date, but
it is supposed to have been printed in 1660.
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